The Linguopoetic Nature of the Artistic Repetition in the Works of Erkin Azam
Abstract
In the last years of study of Uzbek linguistics, the attention to analyzing a text and its components is obviously seen in the fields of increasing of text linguistics, pragmalinguistics, and lingua poetics. As such a new field, on study of Uzbek linguistics, the following matters are actual tasks, such as semiotics in the circle of linguistics, pragmatics, and connotation, as well, producing theoretical principles of lingua poetics embodied the following concepts affiliated with the literature, for instance, images, individuality, thought, literary idea, definitely speaking, to put it in one system, to study and systematize its research methodology, style and means, hierarchical development in the complete plan. On the basis of it, in the works of certain authors, studying the factors of the private actuality of common lingua poetic bases on the basis of commonality principles of author-language-artistic merit are considered central issues of anthropocentric approach. The peculiarity of the actuality of language lingual opportunity in the works of a certain writer has been studied by the researchers on different aspects on the basis of various methodological bases. On the study of Uzbek linguistics, it might be divided into three groups, such as lexical-grammatical peculiarity of the working language and as the lingua stylistic and lingua poetic studies. Writer Erkin Azamov's prose has been studied from the point of literary studies in some grades, but it hasn't been researched as a source of lingua poetic research. Erkin Azam successfully uses all the types of artistic repetitions as the repetitions in the parts of speech, according to the distance - contact and distant repetitions, according to the manner of expressions phonetic, morphological, lexical and syntactic repetitions, making the language of his works figurative, unique, impressive; and meeting the requirements of the artistic merits. The artistic repetitions in terms of phonetics, morphology, lexicology, and syntax serve to increase an artistic value of E.Azam‟s works. The main task of them is to reinforce a flurry of speculations and the meaning of the astonishment, order, denial, to provide with musicality and clarity of images. The repetition as an expressive-syntactic means turns into the individual style of the author and is used as a linguopoetic means for increasing the artistic features of the works.
Keywords and expressions: linguopoetics, expressive, syntax, expressive-emotional, figurativeness, contact repetitions, distant repetitions, phonetic repetitions, lexical repetitions, morphological repetitions, syntactic repetitions.
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